Zeke Williams – H E I G H T S A R T https://heightsartgallery.com Heights Art Gallery Sun, 09 May 2021 17:18:26 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 187665590 Double Clutch Six https://heightsartgallery.com/product/double-clutch-six/ Sun, 09 May 2021 16:48:37 +0000 https://heightsartgallery.com/?post_type=product&p=449 Williams begins his digital paintings in the gaming app “Noby Noby Boy” to create the unique compositions of the works. The paintings continue to evolve in Adobe Illustrator, where the outlines are filled with prints either remixed or originally created by Williams. Each original work is printed onto canvas and presented as a continuous diptych or triptych, with Williams rotating the pairing of paintings. Working in an exclusively digital format, Williams sees the possibilities for works being more infinite than working within the limitations of other classical mediums.

The pattern mixing in both the paintings and the pairings of Williams’ works send the viewer on a hunt in connecting works and noticing similarities and differences in origins. To Williams, in each work the viewer gets “most of the flavors mixed together, but not all” – leaving room for discovery and the urge for the viewer’s gaze to move around among the paintings.

]]> 449 Double Clutch Five https://heightsartgallery.com/product/double-clutch-five/ Sun, 09 May 2021 16:38:08 +0000 https://heightsartgallery.com/?post_type=product&p=447 Williams begins his digital paintings in the gaming app “Noby Noby Boy” to create the unique compositions of the works. The paintings continue to evolve in Adobe Illustrator, where the outlines are filled with prints either remixed or originally created by Williams. Each original work is printed onto canvas and presented as a continuous diptych or triptych, with Williams rotating the pairing of paintings. Working in an exclusively digital format, Williams sees the possibilities for works being more infinite than working within the limitations of other classical mediums.

The pattern mixing in both the paintings and the pairings of Williams’ works send the viewer on a hunt in connecting works and noticing similarities and differences in origins. To Williams, in each work the viewer gets “most of the flavors mixed together, but not all” – leaving room for discovery and the urge for the viewer’s gaze to move around among the paintings.

]]> 447 Double Clutch Four https://heightsartgallery.com/product/double-clutch-four/ Sun, 09 May 2021 16:36:48 +0000 https://heightsartgallery.com/?post_type=product&p=445 Williams begins his digital paintings in the gaming app “Noby Noby Boy” to create the unique compositions of the works. The paintings continue to evolve in Adobe Illustrator, where the outlines are filled with prints either remixed or originally created by Williams. Each original work is printed onto canvas and presented as a continuous diptych or triptych, with Williams rotating the pairing of paintings. Working in an exclusively digital format, Williams sees the possibilities for works being more infinite than working within the limitations of other classical mediums.

The pattern mixing in both the paintings and the pairings of Williams’ works send the viewer on a hunt in connecting works and noticing similarities and differences in origins. To Williams, in each work the viewer gets “most of the flavors mixed together, but not all” – leaving room for discovery and the urge for the viewer’s gaze to move around among the paintings.

]]> 445 Double Clutch Three https://heightsartgallery.com/product/double-clutch-three/ Sun, 09 May 2021 16:34:23 +0000 https://heightsartgallery.com/?post_type=product&p=443 Williams begins his digital paintings in the gaming app “Noby Noby Boy” to create the unique compositions of the works. The paintings continue to evolve in Adobe Illustrator, where the outlines are filled with prints either remixed or originally created by Williams. Each original work is printed onto canvas and presented as a continuous diptych or triptych, with Williams rotating the pairing of paintings. Working in an exclusively digital format, Williams sees the possibilities for works being more infinite than working within the limitations of other classical mediums.

The pattern mixing in both the paintings and the pairings of Williams’ works send the viewer on a hunt in connecting works and noticing similarities and differences in origins. To Williams, in each work the viewer gets “most of the flavors mixed together, but not all” – leaving room for discovery and the urge for the viewer’s gaze to move around among the paintings.

]]> 443 Double Clutch Two https://heightsartgallery.com/product/double-clutch-two/ Sun, 09 May 2021 16:31:53 +0000 https://heightsartgallery.com/?post_type=product&p=441 Williams begins his digital paintings in the gaming app “Noby Noby Boy” to create the unique compositions of the works. The paintings continue to evolve in Adobe Illustrator, where the outlines are filled with prints either remixed or originally created by Williams. Each original work is printed onto canvas and presented as a continuous diptych or triptych, with Williams rotating the pairing of paintings. Working in an exclusively digital format, Williams sees the possibilities for works being more infinite than working within the limitations of other classical mediums.

The pattern mixing in both the paintings and the pairings of Williams’ works send the viewer on a hunt in connecting works and noticing similarities and differences in origins. To Williams, in each work the viewer gets “most of the flavors mixed together, but not all” – leaving room for discovery and the urge for the viewer’s gaze to move around among the paintings.

]]> 441 Double Clutch One https://heightsartgallery.com/product/double-clutch-one/ Sun, 09 May 2021 16:22:40 +0000 https://heightsartgallery.com/?post_type=product&p=437 Williams begins his digital paintings in the gaming app “Noby Noby Boy” to create the unique compositions of the works. The paintings continue to evolve in Adobe Illustrator, where the outlines are filled with prints either remixed or originally created by Williams. Each original work is printed onto canvas and presented as a continuous diptych or triptych, with Williams rotating the pairing of paintings. Working in an exclusively digital format, Williams sees the possibilities for works being more infinite than working within the limitations of other classical mediums.

The pattern mixing in both the paintings and the pairings of Williams’ works send the viewer on a hunt in connecting works and noticing similarities and differences in origins. To Williams, in each work the viewer gets “most of the flavors mixed together, but not all” – leaving room for discovery and the urge for the viewer’s gaze to move around among the paintings.

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