Medium – H E I G H T S A R T https://heightsartgallery.com Heights Art Gallery Mon, 04 Sep 2023 18:22:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 187665590 Saturnine Saturday III https://heightsartgallery.com/product/saturnine-saturday-3/ Mon, 04 Sep 2023 18:10:49 +0000 https://heightsartgallery.com/?post_type=product&p=1768 Joshua Kight  | 42” x 35” Unframed  |  Mixed Media and Acrylic on Wood  |  2023  | Saturnine Saturday III

“Saturnine Saturday III” A three-dimensional painting, mixed media Acrylic on wood, from the night picture series. Another one of the night pictures inspired by my nightly walks on my spirit-tinged golf course.

All shipping is calculated after purchase and paid separately in accordance with the client’s requirements, and customized accommodations.

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Saturnine Saturday I https://heightsartgallery.com/product/saturnine-saturday-1/ Mon, 04 Sep 2023 18:01:37 +0000 https://heightsartgallery.com/?post_type=product&p=1764 Joshua Kight  |  4′ x 3′ Unframed  |  Mixed Media on Wood  |  2022  | Saturnine Saturday I

From the quarantine Figure series. “Saturnine Saturday I” is a three-dimensional painting, mixed media on wood. I live on a golf course. When the golfers are not there at night golf courses can have a contemplative, even spiritual quality. The stars make my head swim and I feel both expansive and small. The three-dimensional paintings have a spontaneous quality. My daughter always says “Don’t leave anything in Dad’s studio or it will get stuck on a painting.”

All shipping is calculated after purchase and paid separately in accordance with the client’s requirements, and customized accommodations.

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Hiroshima https://heightsartgallery.com/product/hiroshima-book/ Fri, 01 Apr 2022 07:44:27 +0000 https://heightsartgallery.com/?post_type=product&p=1572 Ernesto Leon  |  30″ x 20″  |  Book |  Hiroshima  |  2021

Leon is currently painting on surfaces of materials that he describes as “urban” and with the destruction of the pictorial application technique, as well as the dystopian vision of rational or geometric arrangements resulting in a compositional organization of quality abstract and a universe of an ordered imbalance.  

All shipping is calculated after purchase, and paid separately in accordance with the clients requirements, and customized accommodations.

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Scales https://heightsartgallery.com/product/darcy_lee_scales/ Tue, 29 Jun 2021 21:13:50 +0000 https://heightsartgallery.com/?post_type=product&p=800 Darcy Lee  |  36″ x 24”

paint, ink drawing, and gold leaf on paper, 2021.

This piece plays with the idea of zooming in and out of things, using varying tools to create different thicknesses in line and stroke. Segmented areas create an aesthetic and an organizational composition referencing Mondrian, while large while strokes play in juxtaposition to these more seemingly ordered and contained areas.

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Ruiner https://heightsartgallery.com/product/darcy_lee_ruiner/ Tue, 29 Jun 2021 21:00:07 +0000 https://heightsartgallery.com/?post_type=product&p=797 Darcy Lee  |  19” x 22.5”

hand-pulled silk screened shapes, ink drawing, and gold leaf on paper, 2016.

This piece started out as a portrait of a friend, over the course of working on it I experienced a lot of betrayal regarding this person, so it turned into a very angry expression. Kintsugi is a Japanese form of mending ceramics with gold. Here I have used the gold leaf in expressive text and splatters to signify the sealing of the ended fate of this relationship instead. Ending this relationship allowed me to mend myself by removing what wasn’t good for me and sealing it out of my life forever.

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Merit badges from social activities, no. 10 https://heightsartgallery.com/product/merit-badges-from-social-activities-no-10/ Sun, 27 Jun 2021 22:38:42 +0000 https://heightsartgallery.com/?post_type=product&p=786 Annie Arnold  |  23″ x 32″  |  embroidery thread and patches on canvas

My work considers ideas about the differences between labor and leisure–two concepts that took on even newer meanings during our months of mandatory quarantine.  My work also explores the relationship between how we choose to spend our time and what that says about what we value.  Again, two concepts that were highlighted repeatedly, and in new ways, during this time.  Both pieces in this show were made as part of my larger body of work that speaks about personal and cultural acts of narcissism, but I selected them for this exhibition because they can also be read effectively through the lens of quarantine motherhood, a time when extreme self-reflection was required for survival.

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My Way Is Working https://heightsartgallery.com/product/my-way-is-working/ Sun, 27 Jun 2021 22:31:02 +0000 https://heightsartgallery.com/?post_type=product&p=784 Annie Arnold  |  26” x  42”  |  Embroidery thread, patches, trim on canvas

How can we get noticed if we’re all doing the same things? (confidence)

My work considers ideas about the differences between labor and leisure–two concepts that took on even newer meanings during our months of mandatory quarantine.  My work also explores the relationship between how we choose to spend our time and what that says about what we value.  Again, two concepts that were highlighted repeatedly, and in new ways, during this time.  Both pieces in this show were made as part of my larger body of work that speaks about personal and cultural acts of narcissism, but I selected them for this exhibition because they can also be read effectively through the lens of quarantine motherhood, a time when extreme self-reflection was required for survival.

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Fortification https://heightsartgallery.com/product/fortification/ Sun, 27 Jun 2021 22:16:14 +0000 https://heightsartgallery.com/?post_type=product&p=491 Alexandra Robinson  |  Each Pillow 8″ x 14″  |  pile of pillows  40″ x 40″

cyanotype on cotton muslin and pink patterned cotton, pink satin, pinto beans and dismembered stuffed animals

The pandemic was emotionally difficult and challenging because we were always on top of one another; there was no physical space and therefore mental space felt collapsed. My children’s worlds became small and sometimes too compressed for their big emotions. Time is still long and deep but not in the way the first five – six months of the pandemic felt. Now it’s pockmarked with hope, things don’t feel as desperate, only now we face the fear of what it means to come back out into the light without masks. I wonder when the kids will play and feel with abandon like they used to. This work titled Fortification, is created using cyanotype and forms inspired by my children; toys, sounds and pillows for movies, and fighting and care.

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Metaphorical Silence https://heightsartgallery.com/product/metaphorical-silence/ Sun, 09 May 2021 15:29:15 +0000 https://heightsartgallery.com/?post_type=product&p=390 Wayne Gilbert is an extremely versatile artist who has created a novel approach to the process of making art from the vantage point of the narrow line between life and death. The material from which he creates his pigments is the unclaimed ashes of the dead that he collects from mortuaries. The result is his strangely beautiful and powerfully charged works of art that communicate solemn pieties and spiritual emotions. In several of the major works, Gilbert is able to express a certain ageless beauty like that of flowers at their moment of full bloom or of hands expressing a life force that is ebbing and grasping at the same time.

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Full Head https://heightsartgallery.com/product/271/ Sat, 08 May 2021 00:24:39 +0000 https://heightsartgallery.com/?post_type=product&p=271 Wayne Gilbert is an extremely versatile artist who has created a novel approach to the process of making art from the vantage point of the narrow line between life and death. The material from which he creates his pigments is the unclaimed ashes of the dead that he collects from mortuaries. The result is his strangely beautiful and powerfully charged works of art that communicate solemn pieties and spiritual emotions. In several of the major works, Gilbert is able to express a certain ageless beauty like that of flowers at their moment of full bloom or of hands expressing a life force that is ebbing and grasping at the same time.

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