Mixed Media – H E I G H T S A R T https://heightsartgallery.com Heights Art Gallery Mon, 04 Sep 2023 18:22:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 187665590 Saturnine Saturday III https://heightsartgallery.com/product/saturnine-saturday-3/ Mon, 04 Sep 2023 18:10:49 +0000 https://heightsartgallery.com/?post_type=product&p=1768 Joshua Kight  | 42” x 35” Unframed  |  Mixed Media and Acrylic on Wood  |  2023  | Saturnine Saturday III

“Saturnine Saturday III” A three-dimensional painting, mixed media Acrylic on wood, from the night picture series. Another one of the night pictures inspired by my nightly walks on my spirit-tinged golf course.

All shipping is calculated after purchase and paid separately in accordance with the client’s requirements, and customized accommodations.

]]> 1768 Saturnine Saturday I https://heightsartgallery.com/product/saturnine-saturday-1/ Mon, 04 Sep 2023 18:01:37 +0000 https://heightsartgallery.com/?post_type=product&p=1764 Joshua Kight  |  4′ x 3′ Unframed  |  Mixed Media on Wood  |  2022  | Saturnine Saturday I

From the quarantine Figure series. “Saturnine Saturday I” is a three-dimensional painting, mixed media on wood. I live on a golf course. When the golfers are not there at night golf courses can have a contemplative, even spiritual quality. The stars make my head swim and I feel both expansive and small. The three-dimensional paintings have a spontaneous quality. My daughter always says “Don’t leave anything in Dad’s studio or it will get stuck on a painting.”

All shipping is calculated after purchase and paid separately in accordance with the client’s requirements, and customized accommodations.

]]> 1764 Hiroshima https://heightsartgallery.com/product/hiroshima-book/ Fri, 01 Apr 2022 07:44:27 +0000 https://heightsartgallery.com/?post_type=product&p=1572 Ernesto Leon  |  30″ x 20″  |  Book |  Hiroshima  |  2021

Leon is currently painting on surfaces of materials that he describes as “urban” and with the destruction of the pictorial application technique, as well as the dystopian vision of rational or geometric arrangements resulting in a compositional organization of quality abstract and a universe of an ordered imbalance.  

All shipping is calculated after purchase, and paid separately in accordance with the clients requirements, and customized accommodations.

]]> 1572 Scales https://heightsartgallery.com/product/darcy_lee_scales/ Tue, 29 Jun 2021 21:13:50 +0000 https://heightsartgallery.com/?post_type=product&p=800 Darcy Lee  |  36″ x 24”

paint, ink drawing, and gold leaf on paper, 2021.

This piece plays with the idea of zooming in and out of things, using varying tools to create different thicknesses in line and stroke. Segmented areas create an aesthetic and an organizational composition referencing Mondrian, while large while strokes play in juxtaposition to these more seemingly ordered and contained areas.

]]> 800 Ruiner https://heightsartgallery.com/product/darcy_lee_ruiner/ Tue, 29 Jun 2021 21:00:07 +0000 https://heightsartgallery.com/?post_type=product&p=797 Darcy Lee  |  19” x 22.5”

hand-pulled silk screened shapes, ink drawing, and gold leaf on paper, 2016.

This piece started out as a portrait of a friend, over the course of working on it I experienced a lot of betrayal regarding this person, so it turned into a very angry expression. Kintsugi is a Japanese form of mending ceramics with gold. Here I have used the gold leaf in expressive text and splatters to signify the sealing of the ended fate of this relationship instead. Ending this relationship allowed me to mend myself by removing what wasn’t good for me and sealing it out of my life forever.

]]> 797 Unassuming Con https://heightsartgallery.com/product/unassuming-con/ Fri, 30 Apr 2021 23:22:19 +0000 https://heightsartgallery.com/?post_type=product&p=221

Unassuming Con, acrylic, charcoal, and collage on paper, 17” x 24 ½”, $2,500

In association with SPACE C7 in San Antonio, G Spot Contemporary Gallery is proud to present WATCH AND ABSORB #3, an exhibition of new work by the reclusive artist, Franklin Ackerley, curated by Texas artist, Jeff F. Wheeler.

Known as much for his Pynchon-esque life as he is for his irreverent and over-the-top pop concoctions, Ackerley began his meteoric rise to relative obscurity in the early 90’s when he was in graduate school at Central Washington University. While still in school he developed a West Coast following with raucous exhibitions in various alt-spaces and Universities from Seattle to San Francisco. As his fame rose, heshied away from the spotlight focusing on travel and artmaking. Ackerley hasn’t been seen in public since 1997. Since then, his whereabouts have been a matter of conjecture, with apocryphal accounts recently placing him in, among other places, Wichita, Kansas; Fallon, Nevada; Truth and Consequences, New Mexico; and even Split, Croatia.
]]> 221 Pitstop (On the Way to Vegas) https://heightsartgallery.com/product/pitstop-on-the-way-to-vegas/ Fri, 30 Apr 2021 23:21:31 +0000 https://heightsartgallery.com/?post_type=product&p=220

Pitstop (On the Way to Vegas), ink, charcoal, and collage on found watercolor painting, 14 ¼” x 20 ¼”, $1,200

In association with SPACE C7 in San Antonio, G Spot Contemporary Gallery is proud to present WATCH AND ABSORB #3, an exhibition of new work by the reclusive artist, Franklin Ackerley, curated by Texas artist, Jeff F. Wheeler.

Known as much for his Pynchon-esque life as he is for his irreverent and over-the-top pop concoctions, Ackerley began his meteoric rise to relative obscurity in the early 90’s when he was in graduate school at Central Washington University. While still in school he developed a West Coast following with raucous exhibitions in various alt-spaces and Universities from Seattle to San Francisco. As his fame rose, heshied away from the spotlight focusing on travel and artmaking. Ackerley hasn’t been seen in public since 1997. Since then, his whereabouts have been a matter of conjecture, with apocryphal accounts recently placing him in, among other places, Wichita, Kansas; Fallon, Nevada; Truth and Consequences, New Mexico; and even Split, Croatia.
]]> 220 There Remained Plenty of Uncertainty https://heightsartgallery.com/product/there-remained-plenty-of-uncertainty/ Fri, 30 Apr 2021 23:20:49 +0000 https://heightsartgallery.com/?post_type=product&p=219

There Remained Plenty of Uncertainty, acrylic and charcoal on paper, 11” x 15”, $900.

In association with SPACE C7 in San Antonio, G Spot Contemporary Gallery is proud to present WATCH AND ABSORB #3, an exhibition of new work by the reclusive artist, Franklin Ackerley, curated by Texas artist, Jeff F. Wheeler.

Known as much for his Pynchon-esque life as he is for his irreverent and over-the-top pop concoctions, Ackerley began his meteoric rise to relative obscurity in the early 90’s when he was in graduate school at Central Washington University. While still in school he developed a West Coast following with raucous exhibitions in various alt-spaces and Universities from Seattle to San Francisco. As his fame rose, heshied away from the spotlight focusing on travel and artmaking. Ackerley hasn’t been seen in public since 1997. Since then, his whereabouts have been a matter of conjecture, with apocryphal accounts recently placing him in, among other places, Wichita, Kansas; Fallon, Nevada; Truth and Consequences, New Mexico; and even Split, Croatia.
]]> 219 Just Outside Stone City, Iowa https://heightsartgallery.com/product/just-outside-stone-city-iowa/ Fri, 30 Apr 2021 23:19:42 +0000 https://heightsartgallery.com/?post_type=product&p=218 Just Outside Stone City, Iowa, acrylic, charcoal, silver leaf, and collage on paper, 11” x 9”, $1,200.

In association with SPACE C7 in San Antonio, G Spot Contemporary Gallery is proud to present WATCH AND ABSORB #3, an exhibition of new work by the reclusive artist, Franklin Ackerley, curated by Texas artist, Jeff F. Wheeler.

Known as much for his Pynchon-esque life as he is for his irreverent and over-the-top pop concoctions, Ackerley began his meteoric rise to relative obscurity in the early 90’s when he was in graduate school at Central Washington University. While still in school he developed a West Coast following with raucous exhibitions in various alt-spaces and Universities from Seattle to San Francisco. As his fame rose, heshied away from the spotlight focusing on travel and artmaking. Ackerley hasn’t been seen in public since 1997. Since then, his whereabouts have been a matter of conjecture, with apocryphal accounts recently placing him in, among other places, Wichita, Kansas; Fallon, Nevada; Truth and Consequences, New Mexico; and even Split, Croatia.
]]> 218 Big Time Agriculture https://heightsartgallery.com/product/big-time-agriculture/ Fri, 30 Apr 2021 23:18:29 +0000 https://heightsartgallery.com/?post_type=product&p=217 Big Time Agriculture, acrylic, charcoal, and collage on paper, 10” x 15”, $1,200

In association with SPACE C7 in San Antonio, G Spot Contemporary Gallery is proud to present WATCH AND ABSORB #3, an exhibition of new work by the reclusive artist, Franklin Ackerley, curated by Texas artist, Jeff F. Wheeler.

Known as much for his Pynchon-esque life as he is for his irreverent and over-the-top pop concoctions, Ackerley began his meteoric rise to relative obscurity in the early 90’s when he was in graduate school at Central Washington University. While still in school he developed a West Coast following with raucous exhibitions in various alt-spaces and Universities from Seattle to San Francisco. As his fame rose, heshied away from the spotlight focusing on travel and artmaking. Ackerley hasn’t been seen in public since 1997. Since then, his whereabouts have been a matter of conjecture, with apocryphal accounts recently placing him in, among other places, Wichita, Kansas; Fallon, Nevada; Truth and Consequences, New Mexico; and even Split, Croatia.

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